WRITING | TIANSHU ZHAO

ESSAYS

从数据看NFT市场中的洗售交易 (Wash Trade) published on Puzzle Ventures

为什么需要「共识层ZK化」？ published on Puzzle Ventures

剧院4.0的可能性 published on 《保利文化二十周年文集：我与保利文化共成长》

Optimizing AMM: Who's Benefiting and Who's Hurting? published on Meteorite Labs

设计系列一：战时苏黎世和达达主义剧场 featured on 保利剧院订阅号

设计系列二：包豪斯风格与奥斯卡·施莱默的芭蕾 featured on 保利剧院订阅号

设计系列三：怎么就极简了？ featured on 保利剧院订阅号

设计系列四：与机器共同创作 —— 衍生设计 (艺术) featured on 保利剧院订阅号

新型冠状病毒(2019-nCoV)疫情，防护口罩选用常见问题及答复 featured on 中华预防医学会微平台

西方戏剧建筑趣谈之一：细数剧场舞台的类型 featured on 保利剧院订阅号

西方戏剧建筑趣谈之二：剧院建筑历史 featured on 保利剧院订阅号

西方戏剧建筑趣谈之三：现代剧场建筑设计 featured on 保利剧院订阅号

ALL CONNECTED featured on MAQUETTE magazine by Yale CCAM

I FEEL THE FEELING OF A RUN-OVER DOG working

老小姐钓鱼 FISHING LADY one-act

心经 CONUNDRUM (adapted from Eileen Chang's novel) full

THE SECOND GIRL: OR BOBA, MILK, TEA full

谁坐在那儿？WHO'S SITTING THERE? full

WHATEVER HELPS YOU SLEEP AT NIGHT one-act

A MALCOLM'S NIGHTMARE one-act

IT COMES A FULL CIRCLE ten-minute

MIND OVER MATTER ten-minute

BARD [1]: TANA, THE ORIGIN OF BLUE NILE a video game design

A Trial-And-Error Journey of Theatre Architecture from 500 to 300 BCE: Partially Enveloping Theatron in Ancient Greek Theatre

Who Is to Define Fairness: The Delicate Balance Between Fair Use and Copyright Protection in Light of First Amendment

The Utilization of Vertical Space in Hayao Miyazaki's Anime Films: Connecting Physical and Metaphysical World

To Boldly Imagine What No Man Has Built Before: A Digitally Transformed San Francisco

The Spectrum of Nerdiness And Its Usage in Understanding the Intersection between Nerd Culture and Japanese Culture

Controlled Emancipation: Understanding The Network in Theatre Spaces with Interactive/Responsive Media Design